Iranica We are and so proud to introduce our very best font to you. This Iranica is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.
Not only the fact it is the high quality solution from high quality graphic that can generate the enjoy outcome from our corporation lab but the feedback from our real users of this Iranica are also just as by being the good feedback.
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Iranica is a new creation of Naghi Naghashian. It is extremely legible even in very small size. Iranica is reminiscence to my birthplace and my cultural root. Iranica is a modern Sans Serif font family. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides moretypographic flexibility. Iranica supports Arabic, Persian and Urdu.The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.It also includes proportional and tabular numerals for the supported languages. More Iranica design fulfills the following needs:A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication.B. Suitability for multiple applications. Gives the widest potential acceptability.C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Iranicas simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.D. An attractive typographic image. Iranica was developed for multiple languages and writing conventions. Iranica supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.
